Under
the Black Flag came to my attention because the boyfriend and I decided
we wanted to go the Renaissance Faire in Annapolis this year,
specifically for Pirate Weekend. Clearly, I needed to bone up on my
pirate knowledge for this big event, so I started Googling for pirate
books. Under the Black Flag had pretty good ratings and the library had
it, so off I went!
In this book, Cordingly deals with pirate
history as well as how popular works including or focusing on pirates
have affected the public's perception of them. It's divided into topical
chapters, such as female pirates, hunting down pirates, etc. Within
each chapter, Cordingly covers a variety of mini-topics that span
several centuries, up until about the mid 1700s, which means the book
jumps around in time a bit. That didn't bother me, but what did bother
me was that the transitions between the mini-topics weren't very smooth.
They jumped from one thing to another, leaving me sometimes going,
"Wait, what?" Cordingly also focuses on the pirates of the Atlantic and
Caribbean, though he briefly mentions a few instances of piracy in Asia.
This was too bad, because those few instances he mentioned really made
me want to know more about Asian piracy. (Does anyone know any good
books on this topic?)
Pirate history can be kind of hard to
cover, because pirates didn't exactly keep good journals of what their
actions. Most records come from court trials and the logs of naval
captains or privateers who faced or hunted down pirates. This is
precisely why one of my thesis classmates ended up not writing about
pirates--a dearth of primary sources for the specific topic he wanted to
cover--and probably why Cordingly ends up needing to draw on a few
examples to make the majority of his points. Blackbeard, Bartholomew
Roberts, and Captain Kidd serve as the big "people" in this book,
because they were so notorious and so more can be found about them. As
for ships, the Whydah ends up being Cordingly's prime example because
it's the only pirate ship that has been found and positively identified.
Snippets of other things and people are included, but these are the big
focal points.
Cordingly also talks about pirates in pop
culture, and this is the place that I found the book to be most
lacking...but it's not really Cordingly's fault. The thing is, Under the
Black Flag was published in 1995. I'm a total millenial, which means
that the pirate portrayals that have affected me most are not, in fact,
Treasure Island (unless you're counting the awesome Disney adaptation
Treasure Planet) or Errol Flynn movies (never seen one),
but rather the more fantastical portrayals of pirates that have emerged
in my lifetime, from Jack Sparrow--sorry, Captain Jack Sparrow--and his
Pirates of the Caribbean, to Stardust's (both book and movie version)
Captain Shakespeare, to the Disney-fied Captain Killian Hook of Once
Upon a Time. I think it would be very interesting to see an updated
version of this which factors in the recent resurgence of pirates in pop
culture, rather than relying so heavily on old, 18th- and 19th-century
portrayals of pirates that most people in our current time haven't heard
of--Treasure Island excluded. Most of the poems and books published
back then aren't really of interest to people now, but these current
portrayals clearly are. It was just strange to read about how these
things had supposedly affected modern folks' mental image of pirates,
when there are so clearly more modern portrayals that have had a larger
impact.
Overall, this was a good book, and I enjoyed it. But I
think the transitions needed some work, being very choppy, and I'm not
sure that I bought some of the arguments Cordingly made about pirate
portrayals, and I definitely think he relied on a few instances too
heavily, going back to them again and again until I felt he'd hammered
the point straight into the ground.
3.5 stars out of 5.
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