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Wednesday, January 10, 2018

Perennials - Mandy Berman

PerennialsI never went to sleepaway camp as a kid or teen.  I went to week-long day camp a few summers as a Girl Scout, and I think there were a few weekend-long overnight excursions, but nothing long-term.  It was just something that never came up and something, reflecting back, that my family probably couldn't have afforded even if it had come up.  So to me, summer camp has all the sheen of media, and typically in the horror movie sense.  You know, campers missing in the woods, something in the lake that's killing people...that kind of stuff.

Perennials both is and isn't like that.  Ostensibly about two young women, Fiona and Rachel, who attended a camp as children, as they return for one final summer as camp counselors and learn about growing up in the face of a tragedy.  Well, there is a tragedy indeed--more than one.  And while there are no serial killers lurking in the woods and no monsters cruising the lake, this book sometimes struck me as a horror story of another kind entirely, because what is up at this camp is very, very wrong.  Counselors are sleeping together--as teenagers do--and the camp director even gets involved.  Someone witnesses a rape--a very obvious one, in which the victim is seen saying she wants to go to bed, and is blatantly pulled into the woods and raped despite her protests--and the victim is punished for it along with the perpetrator.  Ill fates await not one but two campers over the course of the same summer. 

The lens Berman chose for this was interesting.  The story is told in third-person through a variety of perspectives; Rachel and Fiona each have a couple of chapters, but most of the book has the viewpoints of a variety of other characters.  The camp director, the two girls' mothers, Fiona's little sister, other counselors, campers, etc. all get to chime in with things happening over the course of the summer.  My favorite was probably Sheera, and I would have liked to see more of her; she was so different from the other characters, which was no doubt the point, and I felt a little robbed when she exited the stage relatively early in the book.  Seeing things through both Rachel and Fiona's perspectives was interesting, though--from Fiona's perspective we can see that she thinks Rachel doesn't really care about her except to serve as the "responsible" one, but from Rachel's we get another view: that she really does love Fiona, she just wishes she would come out of her shell and not need constant reassurance that she's liked.

The title here was especially poignant; while marigolds, the plant the camp is named after, are annual flowers, Fiona and Rachel themselves are perennials, coming back year after year and seeming to pick up right where they left off.  The difference is this final summer, when things seem to change so drastically in such a short period of time.  Both of their lives are ultimately turned upside down and the two are pushed apart by the events of the summer--however, the book ends on a positive note, with the potential for them to recover and grow closer together as a result, if they want to.

On the downside, the multiplicity of viewpoints leads to a lot of info-dumping.  Because there are so many characters and Berman wants to give you the full story about what brought each of them to Camp Marigold, there's a lot of "This happened to this person, which made them feel this way, which led to this."  There are a few great flashback scenes that did far more to contribute to character building than the straight-up info dumping, which showed some of what Berman could do, but the book's short length limited them by necessity and so we were left with long periods of info separating out bits of character interaction and forward movement.

Ultimately, I liked this.  However, I think it's much darker than Berman intended it to be.  Obviously there are some tragic events here, but there's another layer of darkness underlying it all that I'm not sure was deliberate.  And if it was--well, this was marketed in entirely the wrong way.  But for a character-driven book, I thought this was very good.

4 stars out of 5.

I received a free copy of this book from the publisher for winning a Goodreads giveaway.

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